
MA graduate Mariola Gayeska’s work has been featured in an online exhibition titled 'Dériving An Imaginary City: Virtual Psychogeographies'. Mariola's work is a sonic map of Battersea Park.
London South Bank University - MA Creative Media Arts students... A group blog set up to chat, inspire, feedback, motivate!
A special offer of limited number of HALF PRICE student tickets to this year’s Battle of Ideas festival. These allow university students full access to the weekend festival for just £27.50. Click here to purchase discounted tickets.
The Battle of Ideas is taking place at the Royal College of Art, London on October 29-30. During the course of the weekend, over 2,250 people will be participating in 75 different debates involving hundreds of incisive and thought-provoking speakers.
This year’s festival programme includes strands of debate entitled Battle for the World, Battle for Morality, Food Fight, Society Wars, Battle for Our Brains, Reassessing Politics and Sporting Contests.
It also features keynote debates on: The Battle against the Fates, Profiting responsibly? Business in the big society, Creativity and curiosity: do we make stuff up or find it out? Has tolerance gone too far? Loyalty in an age of whistle-blowing and Wikileaks, Is individualism bad for society? as well as many more discussions on current themes in the arts, science, health, parenting, education, design, international relations and religion.
Internationally renowned speakers include: David Aaronovitch, Jonathan Aitken, Decca Aitkenhead, Anne Atkins, Simon Baron-Cohen, Daniel Ben-Ami, Katharine Birbalsingh, Melvin Burgess, Christopher Caldwell, Matthew Collings, John Cooper, Giles Fraser, Frank Furedi, Maurice Glasman, Tom Holland, Mick Hume, Sue Ion, Rebecca Jenkins, Simon Jenkins, Irma Kurtz, Philippe Legrain, Dame Ann Leslie, Kenan Malik, Paul Mason, Joyce McMillan, Tim Montgomerie, Brendan O’Neill, Ruth Padel, K.A.S. Quinn, Jeffrey Rosen, Jenni Russell, William Saletan, Fiona Shaw, John Sutherland, George Szirtes, Ray Tallis, GM Tamás, Mark Vernon, Tom Watt, Zoe Williams, Alison Wolf, Martin Wolf, Cathy Young and over 300 more.
"The Battle of Ideas is a global treasure. Bringing together some of the world's leading thinkers for civil dialogue on an array of topics, the festival is a must-see for those deeply committed to the free exchange of ideas."
- Fredrick C. Harris, professor of political science, Columbia University
Visit http://www.battleofideas.org.uk to view this year’s festival programme, including satellite events, as well as carefully selected readings for each session and videos of previous years’ sessions.
Tuesday 29 March, post show 9.30pm, Studio, Soho Theatre
Dancing Bears panel discussion looking at girl gangs and the themes of the play. Speakers include Carlene Fimin MBE.
Saturday 2 April & Wednesday 6 April, 5.30pm, Main House, Soho Theatre
Performance of 17 Minutes by Chloë Moss, performed by former Clean Break students.
Saturday 9 April, 5.30pm, Main House, Soho Theatre
Post-show talk with the creative team, writers and directors.
The show: Hope for Robots
Location: Camden People's Theatre, 60 Hampstead Rd NW1 (2 mins from Euston Square or Warren St)
When: Sunday 23rd Jan 2011, Sunday 30th Jan 2011, Sunday 6th Feb 2011
Time: 8.00pm (Doors and bar at 7.30pm)
Flyer: http://bit.ly/eteIip
Press Release: http://bit.ly/hSplHK
Review (Spoiler alert): http://bit.ly/idzA5N
Friday 21 January, 2.00pm, Studio 55, Keyworth Building
Reconfiguring Caribbean Literary History
Suzanne Scafe (Department of Culture, Writing & Performance)
This session will talk through the findings from a research project investigating the relationship between Caribbean literary production during the period 1930-50 and the news media that ‘housed’ it. The research focussed on a body of literature that has never been recognised as such, but which forms the basis for more familiar forms of national/nationalist and anti-colonial literary texts produced from 1950 onwards and published in London and New York. This talk will discuss how this material has formed the basis of an argument (currently being developed for publication) about literary history and nation-formation.
Living Montage: the Subject & the Interval in the Portrait Film
Patrick Tarrant (Department of Arts & Media)
Pedro Costa’s Where Does Your Hidden Smile Lie? (2001) is a portrait of the filmmakers Jean-Marie Straub and Daniel Huillét, one that renders an image of the couple living and becoming on screen, while acknowledging that the duration of their lives lies substantially in the intervals between and before shots. Straub claims at one point that psychology in his own films lies ‘in between the shots, in the very montage and in the way the shots are linked to each other, it is extremely subtle psychology.’ And depending on where you look in Costa’s film, one gets a sense that elided duration is the very ground of the film’s performative articulations about presence and about subjects in time. Springing from the author’s own filmmaking, this paper offers an account of how ‘Living Montage’ constitutes both an applied filmmaking methodology and a tool for film analysis, and thereby provides an example of the productivity and dialectical play of practice-led research.
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Wednesday 23 March, 12.00pm, Room L260, London Road Building
Image Warfare: A New War Paradigm For the Twenty-First Century
Nathan Roger (Swansea University)
The September 11, 2001 terror attacks marked a paradigm shift in terms of contemporary terrorism and contemporary war: a shift from Digital War (which dominated the post-Cold War period) to Image Warfare. This paper explores how the image as circulated within society has changed from what is broadly conceived of as a mass media society to that of an information society or a rhizomatic condition and how this has resulted in the weaponization of images. This paper also develops three new conceptual terms: ‘image munitions’, ‘counter-image munitions’ and ‘remediation battles’, which together provide a framework for exploring image warfare.
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Thursday 9 June, Room K205, Keyworth Building
‘Farewell Nathan Barley’? The Rise and Fall of the Freelance Creative
Graham Barnfield (University of East London)
Prior to the so-called credit crunch, it was claimed that the future of employment would involve freelancing, networking and horizontal portfolio projects displacing the vertical career ladder. The creative industries – arts, media, culture, consultancy – were treated as central, and important in New Labour discourse and policy. This paper considers the discourse and infrastructure that gave such (temporary) prestige to this particular aspect of 'creative Britain' and asks whether such 'fictitious variable capital' of working in the cultural industries has a future.